MATHIAS SVALINA





TRUSTFALL


                                                             Once and for all
                                  it's Orpheus when there's singing.
                                            —Rilke

On the other hand, now & then,
you get to cross a seven-mile bridge,
slowly, on a bicycle, the tarpon
swimming single-file, one sea turtle
surfaces, spins, neck stretched, then dives,
& I track her through clear water
before she vanishes into color.
Should I make a list of questions I can't ask,
while sitting in the shade near the beach,
one ibis walking circles around my bench,
her curved beak poking into soil?
The world is made out of attention,
surrounding us, lighting the self from within,
mornings in that big house in DC
where one summer twelve of us lived,
sweat-tacked skin sticking to surfaces,
& the dawns greeted (the zoo one hill over)
by the morning calls of gibbons:
it was that sound that made the day real.
The stranger's spit slicked down the lips
after a drunken kiss, was that wet cold
pleasing in the moment? & in the end
it can't matter, what matters & what can't.
I would reduce myself to the silence
rising between the needle's touch
to the record & the blossom of music,
a silence in which no atheism
could be claimed. Then a pigeon walks
the same dirt as the ibis, pecks the same
unseen somethings, but I don't care,
because it's only a pigeon, & not an ibis.







AUTOCORRECT: THREE